Mina Loy has loitered in the rooms of literary obscurity for decades, despite the recognition she received in her lifetime from such canonical modernists as T. S. Eliot, Ezra Pound, William Carlos Williams, Basil Bunting, and Getrude Stein, to name only a few. Indeed, for a brief period of time, Loy was considered somewhat of an avant-garde celebrity. In 1917, the New York Evening Sun summarized Loy as the embodiment of the “modern woman” (qtd. in Walter 663). In addition, Loy appears in the biographies of Djuna Barnes, Ernest Hemingway, Wyndham Lewis, Marriane Moore, Wallace Stevens, and Alfred Stieglitz Conover xii). She sketched portraits of Sigmund Freud, James Joyce, and Carl Van Vechten (again, to name only a few) (Gross 28, 51). This relative neglect notwithstanding, Loy’s reputation continues to grow posthumously for her skill...
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Citation: Akins, Claude. "Mina Loy". The Literary Encyclopedia. First published 05 February 2026 [https://www.litencyc.com/php/speople.php?rec=true&UID=4915, accessed 09 June 2026.]

