In the preface to his third novel, The Milesian Chief; a Romance (1812), Charles Robert Maturin hinted at his continued attraction to the Gothic form, an interest made evident in his first novel, Fatal Revenge: or, The Family of Montorio (1807). “If I possess any talent”, Maturin wrote, “it is that of darkening the gloomy, and deepening the sad; of painting life in the extremes” (Maturin 1:iv). Where Maturin had deployed these skills in Fatal Revenge to describe the deterioration of an aristocratic family in seventeenth-century Italy in a narrative replete with characteristic Gothic elements, in The Milesian Chief he turned his attention to &…
Morin, Christina. "The Milesian Chief". The Literary Encyclopedia. First published 27 February 2007; last revised 30 November -1.
[http://www.litencyc.com/php/sworks.php?rec=true&UID=166, accessed 18 April 2015.]