Slavoj Žižek: The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-theory (2638 words)

Context

One of Slavoj Žižek's most penetrating interventions into film theory is The Fright of Real Tears: Krzysztof Kieślowski Between Theory and Post-Theory. As always with Žižek's works, the reader of Fright gets much more than he bargained for. In the first part of the book, Žižek redefines the coordinates of the controversy in today's cinema studies between “Theory” and “Post-Theory” by demonstrating decisively that both sides are wrong, both sides misrepresent the psychoanalytic theory of Jacques Lacan. Against the reductivist reading of Lacan presupposed by both Theorists and Post-Theorists, Žižek indicates a way beyond the controversy by deploying properly Lacanian concepts in order to …

Citation: Wood, Kelsey. "The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-theory". The Literary Encyclopedia. First published 15 July 2010 [https://www.litencyc.com/php/sworks.php?rec=true&UID=23499, accessed 04 October 2022.]

23499 The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-theory 3 Historical context notes are intended to give basic and preliminary information on a topic. In some cases they will be expanded into longer entries as the Literary Encyclopedia evolves.

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