Samuel Beckett, Krapp's Last Tape

Calum Weir (University of Glasgow)
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Samuel Beckett’s

Krapp’s Last Tape

(1958) is a one-act play about the operations of remembering, forgetting, and desire. It dramatises – with an extraordinary mixture of comedy and lyrical poignancy – the failed artist who, having run the risk of the wasted life, ends up trapped as a shadow of his former selves. The premise of the play is simple: Krapp has renounced love to complete his magnum opus – or, as Krapp puts it, “the opus . . . magnum” (Beckett, 2006, 218); and the late evening on which the play is set is Krapp’s sixty-ninth birthday when, as every year, he eats bananas, drinks wine and whiskey, listens to recordings of his past selves, and records part of a new tape. The temporal disjunction between the play’s title (this is Krapp’s “last” tape, a final…

3893 words

Citation: Weir, Calum. "Krapp's Last Tape". The Literary Encyclopedia. First published 03 June 2025 [https://www.litencyc.com/php/sworks.php?rec=true&UID=4203, accessed 23 June 2025.]

4203 Krapp's Last Tape 3 Historical context notes are intended to give basic and preliminary information on a topic. In some cases they will be expanded into longer entries as the Literary Encyclopedia evolves.

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