William Carlos Williams defined his life and writing against the expatriation of other American modernists. He was especially bitter about the defections of his friends Ezra Pound and H. D. (Hilda Doolittle), as well as T. S. Eliot, whom he singled out as his literary antagonist. Williams admired Eliot’s talent but believed that the pessimism and virtuosity of “The Love Song of J. Alfred Prufrock” (1915) and The Waste Land (1922) subverted and redirected the revolution in American poetry begun by Walt Whitman. Eliot and Pound individually redefined literary tradition so that …
Kouidis, Virginia. "William Carlos Williams". The Literary Encyclopedia. First published 02 July 2004; last revised 30 November -1.
[http://www.litencyc.com/php/speople.php?rec=true&UID=4739, accessed 26 April 2015.]