Manet’s iconic portrait of Emile Zola (1867) depicts the young writer at his desk, an open book in his hand; on the wall above, a small representation of the painter’s groundbreaking Olympia gazes down at him. Zola’s inspired and inspiring defence of the leader of the Impressionists against the sclerotic Second-Empire art establishment was decisive in promoting modern art. A proponent of aesthetic innovation from the early 1860s, Zola was to become an enthusiastic interlocutor of Flaubert, Mallarmé, the Goncourt brothers, Turgenev, Whistler and Van Gogh; they admired his incisive character studies, his virtuoso orchestration of colour, voice, and tone, and the ambitious architecture of his literary …

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Citation:
Harrow, Susan. "Emile Zola". The Literary Encyclopedia. First published 21 March 2007
[http://www.litencyc.com/php/speople.php?rec=true&UID=4852, accessed 29 April 2016.]

Articles on Zola's works

  1. Germinal [Germinal]
  2. L'Assommoir [The Dram Shop]
  3. La Bête humaine [The Human Beast]
  4. La Curée
  5. La Terre [Earth]
  6. Nana
  7. Pot-Bouille [Pot Luck]
  8. Thérèse Raquin