Angus Wilson, Setting the World on Fire

Marina MacKay (University of Durham)

The Literary Encyclopedia. Volume 1.2.1.09: English Writing and Culture: Postwar and Contemporary Britain , 1945-present.
Vol. editors: Gina Lyle (University of Glasgow), Graham MacPhee (University of Manchester), Kerry Myler (Birmingham Newman University), Jenni Ramone (The Nottingham Trent University)

Dates

First circulation or publication 1980

Places

England (Country of Origin)

Genres and Modes

Novel

Resources

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This pageant-like novel opens at the end of the Second World War, when two young brothers are visiting their aristocratic grandmother, Lady Mosson, at her great house in Westminster. The importance of Tothill House within the novel is such that it has been given a perfectly plausible provenance: designed by the architects Roger Pratt and John Vanbrugh, with decorations by Grinling Gibbons and Antonio Verrio, the house has also a Great Hall with a

trompe l'oeil

painting of Phaeton's descent to earth. The Phaeton myth is central to the novel because it polarises the characters of the two boys: brave Piers admires Phaeton's courageous, doomed flight, but cautious Tom is terrified in childhood by the image of the earth being set alight.

The boys are next seen in adolescence as pupils at the

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481 words

Citation: MacKay, Marina. "Setting the World on Fire". The Literary Encyclopedia. First published 08 January 2001 [https://www.litencyc.com/php/sworks.php?rec=true&UID=2144, accessed 26 April 2024.]

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