Russian culture is frequently perceived in terms of its tendency to logocentrism, a feature that has long tended to shape the development and perception of the various non-verbal art forms. Music is no exception to this rule, characterised as it is by the dominance of texted forms, most notably opera and song. Take, for instance, the nineteenth-century fascination with Pushkin, which extends from Glinka’s A Life for the Tsar and Ruslan and Liudmila, via Tchaikovsky’s [Chaikovsky’s] Eugene Onegin, Mazeppa and Queen of Spades, as well as Musorgsky’s Boris Godunov, to the various attempts to set his Little Tragedies (Cui, Dargomyzhsky, Rakhmaninov, Rimsky-…
Bullock, Philip Ross. "Shostakovich and Literature". The Literary Encyclopedia. First published 12 June 2007; last revised 30 November -1.
[http://www.litencyc.com/php/stopics.php?rec=true&UID=1732, accessed 19 April 2015.]