The Merry Wives of Windsor has never been regarded as one of Shakespeare’s most masterly comedies; nonetheless it is surprising how little respect it receives. Several studies which survey Shakespeare’s comedies omit the play entirely, or offer only a sidelong glance, one usually less than complimentary. Samuel Johnson famously noted that “it never yet had reader or spectator, who did not think it too soon at an end.” The reasons for the antipathy towards Merry Wives range from dissatisfaction with its portrayal of Falstaff to the lack of a front-and-centre romantic plot. Some find the play disjointed and perhaps incomplete. Those who view it as Shakespeare’s sole foray into the genre of …
Grav, Peter. "The Merry Wives of Windsor". The Literary Encyclopedia. First published 08 October 2008; last revised 30 November -1.
[http://www.litencyc.com/php/sworks.php?rec=true&UID=154, accessed 19 April 2015.]